Featured Works:

Living Russia, or The Man with a Camera (Dziga Vertov, 1929); À propos de Nice (Jean Vigo, 1930); Orson Welles' Sketch Book III (Orson Welles, 1955); The Fountain of Youth (Orson Welles, 1958); Viva Italia (Orson Welles, 1958); Die Parallelstrasse (Ferdinand Khittl, 1962); Notes Towards an African Orestes (Pier Paolo Pasolini, 1970); De Verliefde Camera (Ed van der Elsken, 1971); London (Orson Welles, 1971); La Soufrière (Werner Herzog, 1977); Le camion (Marguerite Duras, 1977); The Camera: Je or La Camera: I (Babette Mangolte, 1977); Das Todesmagazin oder: Wie werde ich ein Blumentopf? (Rosa von Praunheim, 1979); Reverse Angle (Wim Wenders, 1982); Sans soleil (Chris Marker, 1983); Tempo di viaggio (Tonino Guerra and Andrei Tarkovsky, 1983); The Assault of the Present on the Rest of Time (Alexander Kluge, 1985); Routine Pleasures (Jean-Pierre Gorin, 1986); Das Kino und der Tod (Hartmut Bitomsky, 1988); The Last Clone (Vlado Kristl, 1988); Blue (Derek Jarman, 1993); JLG/JLG - autoportrait de décembre (Jean-Luc Godard, 1994); Lorraine! (1994); Middle of the Moment (Nicolas Humbert and Werner Penzel 1995); De grote vakantie (Johan van der Keuken, 2000); The Gleaners & I (Agnès Varda, 2000); The Sea That Thinks (Gert de Graaff,  2000); Elegy of a Voyage (Aleksandr Sokurov, 2001); The Sweetest Sound (Alan Berliner, 2001, pictured); From the Other Side (Chantal Akerman, 2002); War at a Distance (Harun Farocki, 2003); My Winnipeg (Guy Maddin, 2007)

Program information:
I and the Camera