Featured Works:

Hell of a Reporter (Ernst Laemmle, 1929); Menschen am Sonntag (Curt Siodmak, Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann and Rochus Gliese, 1930); Der Mann, der seinen Mörder sucht (Robert Siodmak, 1931); Emil und die Detektive (Gerhard Lamprecht, 1931); Her Grace Commands (Hanns Schwarz, 1931); A Blonde's Dream (1932); Ein Mädel der Strasse (Hans Steinhoff, 1932); The Blue from the Sky (Victor Janson, 1932); Mauvaise graine (Alexander Esway and Billy Wilder, 1934); Bluebeard's Eighth Wife (Ernst Lubitsch, 1938); Ninotchka (Ernst Lubitsch, 1939); Midnight (Mitchell Leisen, 1939); Ball of Fire (Howard Hawks, 1941); The Major and the Minor (Billy Wilder, 1942); Five Graves to Cairo (Billy Wilder, 1943); Double Indemnity (Billy Wilder, 1944); Die Todesmühlen (Hans Burger, 1945); The Lost Weekend (Billy Wilder, 1945); A Foreign Affair (Billy Wilder, 1948); The Emperor Waltz (Billy Wilder, 1948); Sunset Blvd. (Billy Wilder, 1950); The Big Carnival (Billy Wilder, 1951); Stalag 17 (Billy Wilder, 1953); Sabrina (Billy Wilder, 1954); The Seven Year Itch (Billy Wilder, 1955); Love in the Afternoon (Billy Wilder, 1957); The Spirit of St. Louis (Billy Wilder, 1957); Witness for the Prosecution (Billy Wilder, 1957); Some Like It Hot (Billy Wilder, 1959); The Apartment (Billy Wilder, 1960); One, Two, Three (Billy Wilder, 1961); Irma la Douce (Billy Wilder, 1963, pictured); Kiss Me, Stupid (Billy Wilder, 1964); The Fortune Cookie (Billy Wilder, 1966); The Private Life of Sherlock Holmes (Billy Wilder, 1970); Avanti! (Billy Wilder, 1972); The Front Page (Billy Wilder, 1974); Fedora (Billy Wilder, 1978); Buddy Buddy (Billy Wilder, 1981)

Program information:
Billy Wilder: The Romantic Cynic

Featured Works:

Living Russia, or The Man with a Camera (Dziga Vertov, 1929); À propos de Nice (Jean Vigo, 1930); Orson Welles' Sketch Book III (Orson Welles, 1955); The Fountain of Youth (Orson Welles, 1958); Viva Italia (Orson Welles, 1958); Die Parallelstrasse (Ferdinand Khittl, 1962); Notes Towards an African Orestes (Pier Paolo Pasolini, 1970); De Verliefde Camera (Ed van der Elsken, 1971); London (Orson Welles, 1971); La Soufrière (Werner Herzog, 1977); Le camion (Marguerite Duras, 1977); The Camera: Je or La Camera: I (Babette Mangolte, 1977); Das Todesmagazin oder: Wie werde ich ein Blumentopf? (Rosa von Praunheim, 1979); Reverse Angle (Wim Wenders, 1982); Sans soleil (Chris Marker, 1983); Tempo di viaggio (Tonino Guerra and Andrei Tarkovsky, 1983); The Assault of the Present on the Rest of Time (Alexander Kluge, 1985); Routine Pleasures (Jean-Pierre Gorin, 1986); Das Kino und der Tod (Hartmut Bitomsky, 1988); The Last Clone (Vlado Kristl, 1988); Blue (Derek Jarman, 1993); JLG/JLG - autoportrait de décembre (Jean-Luc Godard, 1994); Lorraine! (1994); Middle of the Moment (Nicolas Humbert and Werner Penzel 1995); De grote vakantie (Johan van der Keuken, 2000); The Gleaners & I (Agnès Varda, 2000); The Sea That Thinks (Gert de Graaff,  2000); Elegy of a Voyage (Aleksandr Sokurov, 2001); The Sweetest Sound (Alan Berliner, 2001, pictured); From the Other Side (Chantal Akerman, 2002); War at a Distance (Harun Farocki, 2003); My Winnipeg (Guy Maddin, 2007)

Program information:
I and the Camera