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Errol MorrisJuly 12, 2011
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Bill CosbyFebruary 15, 2011
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David O. Russell + Spike JonzeJanuary 19, 2011
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Tom Hooper, Claire Bloom + Jennifer EhleJanuary 17, 2011
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Amy RyanSeptember 14, 2010
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Michael CaineApril 28, 2010
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Michael FassbenderJanuary 6, 2010
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Jeff Bridges + Scott CooperDecember 13, 2009
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Tennessee Williams Panel December 9, 2009
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Terry GilliamDecember 8, 2009
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Henry SelickNovember 18, 2009
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Jane CampionSeptember 14, 2009
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Judd ApatowJuly 22, 2009
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Harold RamisJune 12, 2009
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Eric Schlosser, Alice Waters + Food, Inc. PanelJune 4, 2009
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Sam Mendes + John KrasinskiJune 2, 2009
Todd Haynes November 15, 1998
From his first film, Superstar: The Karen Carpenter Story, the story of the pop star's rise and early death told entirely with Barbie and Ken dolls, Todd Haynes has been one of the most idiosyncratic anatomists of the culture. While exploring many of the same themes as Superstar, Haynes's 1998 film Velvet Goldmine is an ambitious large-scale production that borrows the structure of Citizen Kane to chart the rise of glam rock and a Bowie-like star who is the movement's brightest flame. In this interview, the always erudite and engaging Haynes talks about his ongoing fascination with themes of spectacle and identity.
