The Festival Whirl

The utopian possibilities—and dystopian realities—of the modern film festival
by Richard Porton   posted Sep 8, 2009

Back to Article

COMMENTS (2)

Richard, what a thoroughly compelling and informative essay. I hope I can write like you when I grow up! I was especially intrigued by your experience with your jury experience with audiences trained to sit through credits. Imagine!! Having just come from TIFF myself, such behavior would be like a breath of fresh air.
Maya   posted 27.09.09

Good to see someone take a hard look at the film festival circuit. It has changed greatly over the past 15 years or so. One festival which is still serious about cinema and does a great job for the films, the industry guests and the public is Karlovy Vary. Alas not too many Americans are running to see films from the former USSR, Eastern Bloc countries or their amazing archives. Thus the work of the new generation in all these countries is hard to distribute here, and not well known. After many years of festival going, I really prefer ( when possible) the smaller more specialized ones like KV -- where you can still find some gems.
wb22   posted 08.09.09

Add Comment

You must sign in to add comments...

LATEST ARTICLES

American

American
by B. Kite
posted August 31, 2010

Rethinking Stanley Kramer

Rethinking Stanley Kram…
by Saul Austerlitz
posted August 25, 2010

The Mosaic Approach

The Mosaic Approach
by Jonathan Rosenbaum
posted August 18, 2010

Market Forces

Market Forces
by Tom McCormack
posted August 10, 2010

More
Cannes International Film Festival
The red carpet at Cannes
Photo Gallery: The Festival Whirl

THE AUTHOR

Richard Porton is one of the editors of Cineaste in New York. He is the author of Film and the Anarchist Imagination (Verso) and the editor of two forthcoming anthologies, On Film Festivals (Wallflower Press) and Arena 1: Cinema and Anarchism (PM Press).

More articles by Richard Porton