Director Without Borders

The restless innovations of independent pioneer Shirley Clarke
by David Cairns   posted Jul 14, 2008

Back to Article

COMMENTS (2)

Thanks! I knew there was some controversy about this, hence my "supposedly", since the play was publicised at the time as a work or improvisation, but I didn't have access to exact information about this.
dcairns   posted 17.07.08

For the record, there's nothing (or at least very little) that's improvised about Jack Gelber's dialogue in The Connection; if you check the play as published, it matches the dialogue used in the film. I saw the Living Theatre's amazing original production three times, and the speeches were the same each time around; only the jazz solos were different. Jonathan Rosenbaum
J. Rosenbaum   posted 16.07.08

Add Comment

You must sign in to add comments...

LATEST ARTICLES

Key Man Agonistes

Key Man Agonistes
by Peter Tonguette
posted February 9, 2012

Migrating Forms

Migrating Forms
by Joshua Land
posted February 3, 2012

Multiple Vision

Multiple Vision
by Aaron Cutler
posted February 2, 2012

Physical Instincts

Physical Instincts
by Gina Telaroli
posted January 20, 2012

More
Courtesy Edinburgh Film Festival
Shirley Clarke's The Cool World

RELATED CALENDAR ENTRY

June 18-29, 2008 In Profile: Shirley Clarke

THE AUTHOR

David Cairns is a writer, director, and blogger. His short film Cry For Bobo (2001) has won 24 awards around the world. He has written for several UK TV series including Intergalactic Kitchen and Twisted Tales. His articles have appeared in The Village Voice, The Believer, and Senses of Cinema.

More articles by David Cairns
Author's Website: Shadowplay