April 2011
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New Beginnings
Opening moments from contemporary Chinese cinema
by Kevin B. Lee posted April 28, 2011
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Compilation Nation
The history and the rise of the supercut
by Tom McCormack posted April 25, 2011
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Twentieth Century Man
Kaneto Shindo and the power of nightmares
by Michael Atkinson posted April 21, 2011
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Fine Vintage
Fashion, thrift shops, and the space of pleasure in queer underground film
by Ronald Gregg posted April 15, 2011
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The Time to Sing
A conversation with director, actor, DJ, and critic Serge Bozon
by Miriam Bale posted April 14, 2011
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Celluloid Manifesto
Reading images and emblems in Dziga Vertov's films
by Yuri Tsivian posted April 12, 2011
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Sea Change
The displacements of The Forgotten Space
by Jonathan Rosenbaum posted April 8, 2011
March 2011
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Who Won the War?
Bertrand Tavernier's historical epics and the French tradition of quality
by Saul Austerlitz posted March 31, 2011
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Crisis, Creation, Compulsion
The great genre director Raoul Walsh and his cinema of the individual
by Dave Kehr posted March 22, 2011
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P. Ramlee Superstar
On the iconic actor-director-singer-composer of the Malay studio system
by Amir Muhammad posted March 18, 2011
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Follow the Leader
Revisiting the Oliver Stone biopics Nixon and Alexander
by Kevin B. Lee and Matt Zoller Seitz posted March 11, 2011
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Copying the Copy
A second look at Abbas Kiarostami's The Report
by Aaron Cutler posted March 10, 2011
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Abstract Machines
Nonlinear dynamics and the films of Manuel DeLanda
by Ed Halter posted March 4, 2011
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Ashes of Time
Resnais, Marker, Varda, and the Left Bank science-fiction film
by Lindsay Peters posted March 3, 2011
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I Think We're Alone Now
Drifting states and isolated lives in the films of Denis Côté
by Adam Nayman posted March 1, 2011
February 2011
Persistence of Vision
The Searcher
Un-TV
Finished Business
The Voice